Miller, D. H. (2015). [AN OVERALL SOUND PROCESS] Becoming Neoclassical: Instrumentation in the Sketches for Webern’s Concerto, Op. 24. Analitica. Rivista Online Di Studi Musicali, 8(1). Recuperato da https://lnx.gatm.it/analiticaojs/index.php/analitica/article/view/92